It's a nice way of working with a compact camera. Despite the addition of the electronic viewfinder (EVF) the RX100 III is a very similar size to the previous model - it is just 2.5mm wider and 9g heavier. Both are cameras that offer similar functionalities and video recording quality. A nice job for this ISO, and would likely yield usable images in most shooting situations. This can be customised, but many experienced photographers are likely to want to use it for adjusting aperture. The RX100 IV here. The sensor in the HX80 has a native 4:3 aspect ratio, while the one in the RX100 III offers a 3:2 aspect. If the Sony Action Cam is made for extreme sports enthusiasts, the ZV-1 is a product designed specifically for vloggers. Its default settings are not dialed to be as sharp, but the result is more natural and sharpening easily added in post. The LCD screen provides a clear, sharp view and the tilting mechanism seems sturdy. Remote control is limited to exposure compensation, focal length, selecting self-timer and tripping the shutter, but it's a useful feature. 2. The camera is able to identify its target and get it sharp pretty quickly even in quite low light. Exmor CMOS sensor for high-quality, high-precision images Newly developed large-diameter F1.8 Carl Zeiss Vario-Sonnar T* lens delivers refined defocus images Both the RX10 and the RX100 are fixed lens compact cameras that are equipped with an one-inch sensor. This system analyses the scene, adjusts exposure and processes the image on an area by area basis to retain more information in highlights and shadows. As with base ISO, the GM1 wins against all cameras in this heat for consistently good imagery with the fewest unwanted processing artifacts. Noise is concealed in a way that manages to maintain the impression of detail and consequently, even images taken at ISO 12,800 look good at A3 size. Visit our corporate site. The wide-angle end is great for landscapes and confined spaces, while the telephoto end produces flattering portraits. I left the Dynamic Range Optimiser set to automatic for the majority of this test. The GM1 finally begins to show signs of strain here, as its sensor is still only about a quarter the size of a full frame offering designed to handle this ISO, but it puts forth a gallant effort here regardless, and will likely yield usable images in less critical shooting situations at this ISO. Discover the RX100 III compact digital camera. I found that the RX100 III's general purpose Multi-segment metering system copes well with a range of conditions, delivering well-exposed images in a range of conditions. Once it's fully extended (only about 5mm or so), a dioptre adjustment control is revealed on the top. There was a problem. Setting the AF point isn't complicated, but it's not quite as quick as I'd like as you have to access the Focus Area option and then press the OK button to confirm the mode selection before the AF point can be selected via the navigation keys. I'd get mine at Adorama or at B&H.Order today and it should ship in August for your vacation. Auto ISO. 1:1 (square or medium format camera shape) 3 x 3, 4 x 4, 5 x 5, 8 x 8. This is fairly common for this sensor size though. A touchscreen would make it quicker, but the eye sensor would have to respond quickly to avoid the photographer's nose making the selection. The Sony RX100 III is without a doubt the best pocket camera currently available. The RX100 II was such a big leap ahead for what a premium compact could achieve in low light performance, so we'd hoped for the trend to continue but, at least with print quality, this is not the case. Discover the RX100 III compact digital camera. By default the camera enters Selfie selftimer mode when the screen is flipped right up and a count down from three is shown after the shutter release is pressed. Still, it yields images far superior to the RX100 III here. Material on this site may not be reproduced, distributed, transmitted or otherwise used without the prior written consent of The Imaging Resource. This ISO is clearly too high for most sensors of this size, although the RX100 II certainly handles the noise much better, with images that appear much cleaner than the mk III. This perfect pocket camera combines stunning 20.1MP image quality, electronic viewfinder & bright ZEISS lens. Future Publishing Limited Quay House, The Ambury, Like the RX100 II, there's a mode dial on the top of the camera to give quick access to shooting modes, including the enthusiasts' favourite aperture priority, shutter priority and manual, along with program, fully automatic and panorama options. The RX100’s native aspect ratio is 3:2 but 4:3, 16:9 and 1:1 aspect ratios are also available, along with the standard Sweep Panorama options (2D only). We also choose 1600 because we like to be able to shoot at least at this level when indoors and at night. There's not enough detail left in the J4 images to be of much use in a photograph here, although neither camera produces worthwhile results at this ISO. The useful MR (Memory Recall) option is also still present to allow users the store and access their favourite set-up. I found that the Auto settings works well in most situations and it can even help produce decent looking images when the exposure has been set incorrectly. This can be advantageous, but it's also rather distracting. ISO 800 shows a bit too much noise in these same low contrast areas to call a 16 x 20 inch print "good" here, as we did with the previous two RX100 models, though it's certainly usable for less critical applications. Both JPEG and ARW.RAW formats are supported, along with RAW+JPEG capture. Below are crops comparing the Sony RX100 III with the Sony RX100 II, Canon G1X II, Nikon J4, Olympus Stylus 1 and Panasonic GM1. It would be simpler if you could connect the phone to the camera and then select what you want to do – transfer images or take remote control. A pixel on Sony RX100 III sensor is approx. Sony III: hidden features Introduction. The GM1 has a much larger sensor, not quite as large as the G1X II but close, and roughly 4mp less resolution than the RX100 III. Without any noise reduction applied the RX100 III's high-sensitivity raw files have fine coloured speckling that shows no sign of banding and is randomly distributed. Compared with the focal length range of some compact cameras the 24-70mm (equivalent) of the RX100 III may seem a little restricted to some, but it's a popular option on SLRs. The new Exmor RS CMOS chip consists of three layers: the pixel area, signal processing circuit and DRAM memory. Examining images from the RX100 III taken at the lower sensitivity settings reveals that they have lots of sharp detail. Aspect Ratio (still image) Quality (still image) Panorama: Size; Panorama: Direction; Adjusting the focus. These numbers are important in terms of assessing the overall quality of a digital camera. It would be nice, however, if selecting the AF point you want to use was a one-stage process rather than two. Your own results with RAW conversions may of course vary somewhat. In order for it to be tipped up properly into the front-facing 'selfie' position, the EVF needs to be collapsed back into the camera body. As with ISO 1600, these two cameras clearly weren't designed to be pushed to this ISO. This makes for a somewhat challenging comparison. Discover the RX100 III compact digital camera. If you want a little more warmth the Sunlight setting works well. There are two options for setting the aspect ratio: Standard and Wide. Helpfully, the EVF has a sensor that detects when the camera is held to the eye to activate it and turn off the LCD. The Sony RX100 IV looks almost identical to the Sony RX100 III on the outside. The Stylus 1 has a sensor less than half the size of the mk III, and far less resolution, making for an odd comparison. NOTE: These images are best quality JPEGs straight out of the camera, at default settings including noise reduction and using the actual base ISO (not extended ISO settings). The RX100 III produces natural looking colours in most situations and the automatic white balance system copes well with a range of natural lighting conditions. England and Wales company registration number 2008885. © As there's no eyecup it's possible to see a few elements of the scene around the viewfinder. This selection is customisable so that users can set it to reach their favourite, or most commonly used features quickly. My first impressions of the RX100 III's AF system were good and I have not been disappointed during this test. The RX100 III clearly shows more fine detail in all areas, but again is over-sharpened, while the J4 has difficulty resolving fine detail in most areas, especially the fabric swatches. 1. ISO 400 shots are good at 20 x 30 inches, again with only minor but acceptable noise in shadowy areas of our target. First we need to find the ratio between horizontal and vertical length by dividing the former with the latter (aspect ratio). Since then, Sony has introduced new RX100 … 13 x 19 inch prints work fairly well here. It is part of the Cyber-shot RX line of digital cameras made by Sony.It was named as the "European Advanced Compact Camera for 2012–2013" by the European Imaging and Sound Association (EISA) and one of the 'Best Inventions of 2012' by TIME. The Sony RX100 III takes a slight step backwards in the print quality department as compared to the great strides the RX100 II made. for the Sony HX400v- is the 3:2 aspect ratio "better" to use than 4:3? Please refresh the page and try again. With the ratio (r) known we can calculate the X from the formula below, where X is a vertical number of pixels: Raw files can only be recorded at maximum resolution, regardless of the image quality setting or aspect ratio. Generally speaking, the RX100 III produces natural, yet vibrant looking images that look very good straight from the camera. As usual, viewing the images at 100% shows that as sensitivity rises some of the detail is lost. This is especially useful in bright light when the screen can be hard to see. 4/3 224.9mm2 17.0 megapixels 24.00mm - 75.00mm (35mm eq.) The G1X II has a much larger sensor than the RX100 III, with more than twice the surface area, but roughly 7mp less overall resolution. Below are crops comparing the Sony RX100 III with the Sony RX100 II, Canon G1X II, Nikon J4, Olympus Stylus 1 and Panasonic GM1. The larger G1X II sensor shines here, able to resolve fine detail in most areas that the RX100 III lacks in. ISO. The RX100 II: click here; The Sony RX100 III here. Where the RX100 II was able to yield a good 13 x 19, noise levels prevent that size here in the mk III. The aspect ratio and dimensions vary depending on whether you have the camera sweeping while held vertically or horizontally. If you feel that the price is too expensive, you can check out the Canon G7 X Mark III (RM2999) or Sony RX100 III (RM3149). Both cameras offer a resolution of 20 megapixels. The RX100 III’s 24-70mm lens has a similar range to the GM1 kit zoom, but with a much brighter focal ratio of f1.8-2.8 vs f3.5-5.6. This sharpening can be turned down for JPEG shooting in-camera, and of course RAW conversions can be made to order, but it's important to remember that unless you want this much sharpening applied at base ISO, it's advisable to turn this setting down before shooting. Sony RX100 III -- Image Quality Comparison . The default options are a good starting point, but I found it useful to use it to access the image quality options so that I could turn off raw shooting and allow the Picture Effects (Toy Camera, Pop Color, Posterization, Retro, Soft High-key, Part Color, High Contrast Mono, Soft Focus, HDR Painting, Rich-tone Mono, Miniature, Watercolor and Illustration) to be used. I have been using 4:3, as I thought that was the default setting, but somewhere it was recommended using the 3:2 as that maximizes the pixel count for the sensor. By ISO 6400 images look like they are being viewed through stippled glass at 100% on screen. The RX100 Mark III is the second upgrade to Sony’s successful line of fixed-lens compact cameras, which began roughly two years ago with the original RX100. 36 x 48 inch prints are fine for wall display purposes here. To maintain the pocket-friendly shape of the RX100 line, the Mark III's electronic viewfinder (EVF) is a novel pop-up device. Meet the RX100 V — the ultimate compact for capturing movies and stills in captivating detail. Generally, the bigger (and newer) the sensor, pixel pitch and photosite area, and the smaller the pixel density, the better the camera. Even if your smartphone doesn't have an NFC chip, it's easy to connect it to the RX100 III's Wi-Fi system to transfer images wirelessly. The first two crops from the Stylus 1 look nice and very natural here at base ISO, but the small sensor has trouble resolving the fabric swatches. All interchangeable lens cameras in this comparison were shot with our very sharp reference lenses. The RX100 III's aggressive default processing shows odd and unwanted artifacts in some areas, notably the mosaic tiles, while the mk II delivers more consistent imagery, though obviously not very detailed. Imaging Resource © 1998 - 2021. With 20MP, the RX100 III offers a higher resolution than the HX80 (18MP), but the RX100 III nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 1.25μm for the HX80) due to its larger sensor. bigger or fill screen.. It is highly possible that conversions in RAW will yield larger sizes, but certainly not a guarantee. This perfect pocket camera combines stunning 20.1MP image quality, electronic viewfinder & bright ZEISS lens. Sony's approach to noise control may not look great when images are viewed at 100%, but the results are pretty impressive at more normal viewing sizes. ISO 12,800 yields a good 4 x 6 inch print, again in stride with the mk II and capable of a good print at its highest ISO setting (not all camera models can do that!). What's more with a maximum aperture of f/1.8 at the shortest focal length and f/2.8 at the longest point, it's possible to restrict depth of field when you want to. Very good 24 x 36 inch prints at ISO 80/125/200; a good 11 x 14 at ISO 1600; a nice 4 x 6 at ISO 12,800. At first glance the RX100 III crops seem to pop off the page and appear sharper overall, but a careful study shows unnatural sharpening artifacts, while the older mk II images look far more realistic and natural. Still, it's an amazing camera for its size, even with the slight step back from its predecessor in low light image quality. Sign up to get breaking news, reviews, opinion, analysis and more, plus the hottest tech deals! You will receive a verification email shortly. Activating it is a two-step process: firstly the switch on the side of the camera is flicked to release the finder, then the rear element of the eyepiece has to be pulled back. Marked with a 'C', this can be set to access one of 43 different features including options such as white balance and aspect ratio. Sony RX10 vs RX100. Focus Mode; Focus Area; Center Lock-on AF; Focus-lock; Manual Focus; Direct manual focus (DMF) MF Assist (still image) Focus Magnifier; Focus Magnif. It's a shame that Sony still doesn't allow these effects to be applied to JPEGs captured at the same time as raw files. Canon G9 X Mark II vs Sony RX100 III. About the Sony RX100 MK III Digital Camera Newly developed 1.0 type, 20.2 effective megapixels (approx.) The Canon PowerShot G9 X Mark II and the Sony Cyber-shot DSC-RX100 III are two digital cameras that were revealed to the public, respectively, in January 2017 and May 2014. Aggressive default sharpening and noise processing results in visible noise and artifacts in the middle range ISOs that force a print size reduction compared to the mk II across 3 middle-range ISO settings. 3:2 native aspect ratio, with 3:4, 16:9 and square (1:1) crops available. Thank you for signing up to TechRadar. It's usually 1.33 (4:3) or 1.5 (3:2), but not always. Adjustable for high and low limits from ISO 100 to ISO 12,800 in full stops. Recent advances in sensor technology have made ISO 1600 look a lot more like ISO 100, but there are still cameras whose quality starts to fall apart at this setting. The only thing that has changed on the hardware side is an increase in the resolution of the pop-up viewfinder. BA1 1UA. Pixel density. The Sony Cyber-shot DSC-RX10 and the Sony Cyber-shot DSC-RX100 are two digital cameras that were officially introduced, respectively, in October 2013 and June 2012. This perfect pocket camera combines stunning 20.1 MP image quality, electronic viewfinder & bright ZEISS® lens. Also, by default the camera powers-up when the EVF is popped-up. There is, however, little sign of smearing. In shade, for example it produces neutral looking images that reflect the conditions and don't look too cold or too warm. Here we have two 1" type sensors, with the RX100 III having slightly more resolution, but it's fairly close. If the product number of your camera is within the range below, refer to the following URL. Similarly, this ISO begins to be too high for a 1/1.7" sensor as found in the Stylus 1. The G1X II looks surprisingly good in the bottle crop for this ISO, but then loses fine detail in the other crops. ISO 3200 is generally an area for APS-C and Full Frame size sensors, but it's worth taking a look to see if any of the cameras in this comparison can match stride here given today's powerful in-camera processors. As with the RX100 II, the G1X II does appear more natural here at base ISO overall, regardless of the resolution difference. Paper Size Ratios, 3 x 5 is 1.67; 4 x 6 is 1.50; 5 x 7 is 1.40; 8 x 10 is 1.25; 8.5 x 11 is 1.29. 269% bigger than a pixel on Sony HX95. There are some apparent NR artifacts, but they're manageable and minor compared to the RX100 III. Sony has changed the purpose of the Shooting tips/Delete button found on the RX100 II and made it a Custom button on the RX100 III. Sony RX100 has a pixel density of 17.39 MP/cm². On the rear side of the Sony RX100 V is a 3.0-inch, 4:3 aspect Xtra Fine TFT LCD panel. Naturally the exposure compensation facility is useful on some occasions, specifically when shooting very bright subjects such as a seascape under a bright sky, but it isn't required in any situations that you wouldn't expect it to be needed. ISO 6400 produces a good 5 x 7 inch print, bringing it back in stride with the mk II. To ISO 25,600 with a multi image mode. Today Sony has announced the RX100 VII, which is the latest in its range of point-and-shoot, compact cameras. ISO 1600 prints warrant a reduction in size to 11 x 14 inches here. Sony Cyber-shot DSC-RX100 III | Full Specifications: Sensor type: CMOS, Sensor size: 13.2x8.8, Sensor photo detectors: 21, Effective I program a button to allow fast selection of the different crops. There's also a function (Fn) button that gives access 12 key parameters such as sensitivity, flash settings and white balance. The RX100 VI here; The RX100 VII here; Since the Sony RX100 V has the same menu layout as recently released Sony Alpha cameras, you’ll quickly find your way around if you already own one of those. Sets the aspect ratio of still images. Compare Fujifilm X30 (12MP) vs. Sony Cyber-shot DSC-RX100 III (20.1MP) on sensor size (11mm vs. 15.86mm diagonal), pixel pitch, pixel density and other specs. Thanks to its metal chassis, the camera still has a sleek appearance and solid feel. This perfect pocket camera combines stunning 20.1 MP image quality, electronic viewfinder & bright ZEISS® lens. Closest Aspect Ratio 3 x 5 use 16:9; 4 x 6 use 3:2; 5 x 7 use 4:3; 8 x 10 use 4:3; 8.5 x 11 use 4:3. dalemccl's gear list: … TechRadar is part of Future plc, an international media group and leading digital publisher. Sony RX100 III conclusion. It's comfortable to use one-handed and feels nicely balanced. ISO 64 ~ 12,800; ISO 100 is optimum. 63.79 MP/cm² 17.31 MP/cm² Pixel density tells you how many million pixels fit or would fit in one square cm of the sensor. ISO 200 also prints a good 24 x 36 inch print, with only the mildest hint of noise apparent in flatter areas of our test target. The second stage of the EVF activation comes as a surprise to many, but they quickly realise that something is wrong as the view through the viewfinder is very blurred until the rear element is pulled into place. The zoom is operated via a switch around the shutter release button and there's a ring around the lens that can be used for making settings adjustments. Of all cameras in this comparison, it produces the most consistent images of any camera, not really losing out in any of the target areas. Bath We have been very impressed with the Sony RX100 line to date, so it's good news that the RX100 III uses the same 20.2Mp sensor as the RX 100 II. Compared to its predecessor, Sony now uses a faster f/1.8 – f/2.8 variable aperture 24-70mm fixed lens and the latest Bionz X processor. Ditto for the smaller-sensored Stylus 1, which is really designed to remain at ISO 800 and below. And now the real fun begins, as virtually everything but the best full frame cameras start to show strain at ISO 1600 and above, so it's nice to gauge just which ones handle it the best and which struggle more. 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